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Akademie für Alte Musik, Berlin

The Akademie für Alte Musik Berlin (the name could be translated “Academy of Ancient Music” or, in order to avoid confusion using the British band of that name, “Academy of Early Music”) is among the leading period instrument ensembles, and most likely the first from your former Soviet bloc. Its founders had been young players in a variety of East Berlin orchestras. In 1982, they started acquiring and training on historic devices (either actual devices built through the Baroque and Classical eras, or contemporary reproductions of such devices), and had been ready for his or her 1st concert in the Schauspielhaus in 1984. Officially, the group was a cooperative, and for that reason able to carry out a concert series impartial of condition music organizations. These were an instant achievement locally, where in fact the “first instrument audio,” when as well-played such as the Akademie’s case, was a novelty. They performed on the Tage Alter Music (Early Music Times) celebrations in Herne and Regensburg, the Carl Philipp Emanuel Bach Celebration in Duisberg, as well as the Handel Celebration in Hallé. Shortly they gained Western european renown and had been invited to execute in various Western european locations, including Utrecht (in the Holland Celebration) as well as the Bachtage in Aachen. This resulted in a number of broadcast shows also to recordings on several labels, aswell concerning collaborations with such leading early music music artists as Monica Huggett, Lot Koopman, René Jacobs, Renhard Goebel, Andreas Staier, and Marion Vergruggen. The reunification of Germany beneath the Government German Republic allowed wider travel and a special recording contract using the French business Harmonia Mundi; their initial discharge on that label was Bach’s secular cantata Pheobus and Skillet. They also have documented the Brandenburg Concertos as well as the Orchestral Suites, a couple of Bach secular oratorios, Baroque operatic moments by Cavalli, Charpentier, Monteverdi, Lully, Rameau, Telemann, Purcell, Handel, and Graun; and Keiser’s Croesus. The range of their repertory provides expanded to add later works, such as for example Rossini’s Stabat Mater.

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