Aisha Kandisha’s Jarring Effects

Beginning in the past due ’80s as a normal Shabee dance music group, this Moroccan quintet became mostly of the North African functions to successfully merge traditional and modern seems and technology on the electrifying 1990 debut. Furthermore to haunting violins, mandolins, guitars, and mesmerizing Arabic vocals and chanting, the recording utilized digital tinkering and turntable DJing, along with the post-production function from the Swiss maker Pat Jabbar. Their 1992 follow-up, Shabeesation, was made by Expenses Laswell (who also added bass), and presented looks by Omar Ben Hassen from the Last Poets and Parliament-Funkadelic keyboardist Bernie Worrell.