Agostino Agazzari was a composer and organist who was simply appointed to the positioning of “maestro di cappella” (Expert of Tracks) by 1603. Probably the most honorable accomplishment however arrived when he was therefore acclaimed that he could add the name of “Armonico” to his name for his prowess like a musician. Agazzari was a chapel musician composing motets in eight parts having a continuo, and a number of people, psalms and litanies. His most worthwhile structure was the theatrical function “Eumelio” written designed for the effectiveness of seminary college students. (Eumelio was enticed away from the easy life from the “Vices” just later to become came back from his demise in Hades to the nice existence by Apollo and Mercury.) Agazzari is definitely even more renowned for his treatise “Del sonare sopra ‘l basso con tutti li stromenti e dell’uso loro nel conserto” consequently quoted by several musical theorists including Michael Praetorius. The transfer from the discourse is definitely Agazzari’s differentiation between instruments that needs to be used for solid structural support just like the body organ, harpsichord, lute, harp, theorbo, and the ones instruments that needs to be used for decor just like the lute, theorbo, harp, bass lira, cittern, spinet, acoustic guitar, violin, and pandora. The discussion also discusses the mandatory ability from the players to improvise and carry out more than a bass range (both thought and unfigured), musical designs essential and germane to this instruments, and exactly how one accomplishes playing in and with an ensemble. Through the descriptive characteristics of the important treatise it really is clear the musician affected by Agazzari should be experienced in counterpoint.