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Adrian Thompson

Adrian Thompson is normally a well-established Uk tenor with a solid European reputation, specifically for the music of Benjamin Britten. Being a Britten vocalist, English journal The Gramophone evaluated a efficiency,” Adrian Thompson sings throughout using the musicality and cleverness we anticipate from a lifelong advocate from the composer’s music.” He offers made an appearance in opera numerous European companies, like the Netherlands Opera, Opera Zuid, the Badisches Staatstheater Karlsruhe, Staatstheater Stuttgart, the brand new Israeli Opera, Glyndebourne Touring Opera, the British Nationwide Opera, Scottish Opera, the Royal Opera (Covent Garden), Oper Frankfurt, the Welsh Nationwide Opera, as well as the Théâtre des Champs Elysésera of Paris. His tasks have a solid focus on operas from the 20th hundred years as well as the Classical period (and previously). They consist of Don Ottavio in Don Giovanni, Florestan in Fidelio (one of is own personal parts), Iro in The Come back of Ulysses to his Homeland, the Schoolmaster in The Cunning Small Vixen, Skuratov in From the home of the Deceased, Fatty Begbick in Aufstieg und Fall des Stadt Mahagonny, Grimaldo in Rodelinda, the name part of Mozart’s Idomeneo, Tamino in The Magic Flute, Canio in I Pagliacci, Podesta in La finta giardiniera, Osmin in Zaide, Narraboth in Salome, Midas in Die Liebe der Danae, Bacchus in Ariadne auf Naxos, as well as the name part in Gluck’s La Clemenza di Tito. He offers sung in the Brighton Event, the Aldeburgh Event, and celebrations in Buxton, Wexford, Lausanne, and Göttingen. He’s also is extremely energetic on the concert stage. His main concert repertory contains Britten’s St. Nicolas and Battle Requiem and the rest of the main functions by that composer. He provides sung both Evangelists’ parts in the Bach Passions; Verdi’s Requiem; Elgar’s Imagine Gerontius; The Apostles; as well as the Kingdom; Handel’s Messiah and Judas Maccabaeus; Mahler’s Das Lied von der Erde; Lutoslawski’s Paroles tisséha sido; Beethoven’s Ninth Symphony; Janácek’s Journal of 1 Who Disappeared, and various other functions of Stravinsky, Nono, Bruckner, and Beethoven. He provides appeared in collaboration with the Country wide Arts Center Orchestra of Ottawa, Canada, the Schoenberg Outfit, the Sixteen, the British Concert, the North Sinfonia, the Royal Philharmonic, the BBC Symphony, the Bournemouth Symphony Orchestra and Sinfonietta, the BBC Philharmonic, the London Symphony Orchestra, the London Mozart Players, the Nash Outfit, as well as the Academy of Old Music. Conductors he spent some time working with consist of Richard Hickox, John Eliot Gardiner, Trevor Pinnock, Steuart Bedford, Philippe Herreweghe, Libor Pesek, Oliver Knussen, Jane Glover, Colin Davis, and Osmo Vänskä. Thompson is among Britain’s busiest recital performers. He provides frequently sung at Wigmore Hall, and frequently participates in Graham Johnson’s The Songmaker’s Almanac Series and was asked by Johnson to surface in that organization’s 20th wedding anniversary special event recital. He provides taken component in the main Schubert and Schoenberg melody series in the South Standard bank Event and sometimes performs in BBC Radio applications. His documenting credits consist of an admittance in Graham Johnson’s full Schubert Edition for the Hyperion label; Milhaud’s Les Malheurs d’Orphée (ASV); the three main Britten orchestral music cycles (Nocturne, Serenade, and Les illuminations) (Naxos) and A Midsummer Night’s Fantasy (Virgin Classics); Gurney’s Ludlow and Teme (Hyperion); Handel’s Rodelinda (Virgin); and Vaughan Williams’ The Shepherds from the Delectable Mountains (Hyperion) as well as the Pilgrim’s Improvement (Chandos). By 2011, he previously also made an appearance on efforts such as for example Vaughan Williams: Choral Functions, Tracks of Robert Schumann, Vol. 11, and Moeran: Full Solo Folksong Preparations. He is for the faculty from the Guildhall College of Music and Crisis, teaching singing, and provides master classes in the Dartington Summer College on interpretation of 18th hundred years oratorio and opera.

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