b. Adela Helena Dixon, 3 June 1908, Newington, London, Britain, d. 11 Apr 1992, Wythenshawe, Greater Manchester, Britain. A versatile celebrity with a nice soprano voice who was simply equally in the home in dramatic tasks and musical comedies. Her cut figure, appealing red-brown locks, and commanding appearance also produced a perfect pantomime Primary Boy. Dixon went to the Italia Conti stage college and produced her London stage debut in 1921 at age 13 as the Initial Elf in WHERE IN FACT THE Rainbow Ends. After their studies at the Royal Academy of Dramatic Artwork, she toured in a variety of Shakespearean tasks before becoming a member of the Aged Vic Business where she impressed opposing John Gielgud in Romeo And Juliet and Hamlet. In 1928 she captivated interest in her 1st singing part as Princess Beauty in Adam’s Opera. The music for your production was made up by Richard Addinsell, and 3 years later on, when he had written the tracks for the stage version of J.B. Priestley’s book, THE NICE Companions, Dixon was cast – once again opposing Gielgud – in the key function of Susie Dean, the youthful and enterprising soubrette. Soon after showing up alongside the high-kicking Charlotte Greenwood in Robert Stoltz’s Crazy Violets (1932), Dixon had taken over from Evelyn Laye in Provide Me A Band (1933), merging with John Mills (who acquired changed Ernest Verebes) over the appealing ‘A HANDFUL OF Fools In Like’. She survived the farcical goings-on in the Leslie Henson automobile Lucky Break (1934), to co-star afterwards in the entire year with Stanley Holloway, and once again with Greenwood, in Three Sisters. Jerome Kern and Oscar Hammerstein’s wonderful rating for this primary musical, that was provided at Drury Street, contained the near future regular, ‘I Won’t Dance’, which Dixon duetted with Richard Dolman. The melody’s lyric was eventually revised, and the brand new edition featured in a number of movies, including Roberta (1935) with Fred Astaire and Ginger Rogers, as well as the 1952 remake, Lovely TO CHECK OUT. In 1935 Dixon performed Wish Harcourt in Cole Porter’s Anything Runs, an American transfer full of great music, and in the next year she presented, with Eric Fawcett, the wonderful ‘I Breathe On Home windows’ in Charles B. Cochran’s creation of Over She Runs, which also starred Stanley Lupino and Laddie Cliff. By this time around Dixon was among the Western world End’s best-loved leading females, and in November 1936 she became the 1st woman performer to be observed in Britain on the brand new medium of tv, being selected to sing the specifically composed ‘Tv’ (‘Getting Tv To You’) when the BBC released the globe’s 1st regular assistance from Alexandra Palace on 2 November 1936. Her Broadway debut with Jack port Buchanan and Evelyn Laye among The Devil (1937) had not been so successful, regardless of a rating by Arthur Schwartz and Howard Dietz including the excellent ballad, ‘I Discover THAT PERSON Before Me’, that was released by Laye, and reprised by Dixon and Buchanan. An additional trip to NY in 1948 with Buchanan, to surface in the humor, Don’t Listen Girls!, also demonstrated a disappointment. Back in 1938, Dixon continuing to triumph in the ‘musical frolic’, The Fleet’s Lit Up, which got a Vivian Ellis rating, plus Frances Day time, Lupino, and Ralph Audience, with whom she mixed on ‘Cover And Look for’; as well as the revue, All Crystal clear, in business with Bobby Howes, Beatrice Lillie, and Fred Emney. In Dec 1940 in the Sheffield Empire, Dixon produced the to begin greater than a dozen looks as Principal Son in Xmas pantomime, playing Prince Charming to Jack port Buchanan’s Control keys in Cinderella. Continuously mixing tasks in both right and musical theater, Dixon became a member of Sonnie Hale in the short-lived (10 shows in the Piccadilly Theater) The Knight Was Daring in 1943, and stated farewell towards the London musical stage within an old fashioned passionate piece, having a rating by Eric Maschwitz and Jack port Strachey, entitled Belinda Good (1949). 2 yrs earlier, she acquired also concluded her periodic film profession, which acquired included the musical, Contacting The Melody (1936), featuring visitor performers Sir Henry Hardwood and Reginald Forsyth. Western world End audiences noticed Dixon going back period as Prince Charming in the 1953 creation of Cinderella, which starred Julie Andrews before her ascendancy to superstardom on Broadway via The Guy Friend and My Good Female. Thereafter Dixon produced several forays in to the provincial theater before retiring in the past due 50s. Her hubby of almost 50 years, jewel professional Ernest Schwaiger, passed away in 1976, plus some 10 years afterwards Dixon transferred from London to a pension house in Sale, Greater Manchester.