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Swedish dark metallic group Abruptum is definitely predominantly the task of the duo, the ubiquitously named It (screams, violin, drums) and Bad (guitars, sounds, piano), with periodic bit players rounding away the lineup as required. Responsible for what exactly is quite simply being among the most intense rock ever attempted, the group’s “music” offers stumped many a skilled metal head using its brutal devotion to pure noise. Created in the past due ’80s because of it, the idea of Abruptum required shape over several 1990 demos (Abruptum as well as the Satanist Music), that have been documented by an ever moving lineup including early mainstays All (vocals) and EXT (bass). Both would leave with the introduction of Bad, who joined with time for 1991’s imaginatively called Bad EP and Orchestra of Dark demonstration. Gaining quick approval inside the all-important underground tape-trading community, Abruptum’s tortured dark metal fury in conjunction with It’s frantically shrill vocal delivery quickly attracted the eye of Scandinavia’s severe steel godfather Euronymous; who released their debut 1993 LP Obscuritatem Advoco Amplectere Me through his Deathlike Silence imprint. A challenging exercise in fresh, seemingly improvised hostility spliced with atmospheric sound files, the record (containing an individual song put into two 20-plus minute halves) offered up a complicated, almost impenetrable sonic avalanche. Potentially more severe was 1994’s In Umbra Malitae Ambulabo, In Aeternum In Triumpho Tenebrarum, whose epic dreams mirrored its comprehensive name; but which became among the last produces by their label, which folded pursuing Euronymous’ grisly murder that same calendar year. Fittingly, Abruptum supplied the lead-off monitor for 1995’s Euronymous tribute record entitled Nordic Dark Metal (also offering famous brands Emperor and Marduk), after that decided to consider a protracted break before resuming their profession. Finally putting your signature on with the top Not Discovered label in 1997, they unleashed their ambitious third work, Vi Sonas Veris Nigrae Malitiaes; boasting another one, 60-minute dark metal cacophony/symphony. Shedding creative vapor by this time around, the band continued to be silent before year 2000, if they released the odds-and-sods EP De Profundis Mors Vas Cousumet.

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